Hobos Landing

We’re finally getting some rain.  I’m not sure for how long, but whatever we get, we can sure use it.

As I was driving around in rural Texas a few days ago, I saw a gorgeous brown field with newly made round bales of hay scattered in it.  I quickly pulled the car off the road, grabbed the camera and made my way across traffic, through the scrub and up onto some railroad tracks to snap what I thought was going to be a few great pictures.  These shots were, to say the least, a disappointment.  As I stood there, lamenting the heat, the poor shots and the trek through the brush to get them, I glanced up and down the railroad tracks and was immediately reminded of the beginning of  ‘The Dharma Bums” where Ray Smith rides the rails, hobo style, all along the west coast, from Mexico to San Francisco.

I love Jack Kerouac book ‘The Dharma Bums‘!  The Dharma Bums stands as one of Kerouac’s most powerful, influential, and bestselling novels. The story focuses on two untrammeled young Americans—mountaineer, poet, and Zen Buddhist Japhy Ryder and Ray Smith, a zestful, innocent writer—whose quest for Truth leads them on a heroic odyssey, from hobo train rides up and down the West coast, marathon parties and poetry jam sessions in San Francisco’s Bohemia to solitude and mountain climbing in the High Sierras to Ray’s sixty-day vigil by himself atop Desolation Peak in Washington State.  I’ve read this book several times throughout my life and, while I question Kerouac’s understanding of Buddhism, at least as he portrayed it in the book, I have come to love the story.

So I became fascinated with trying to capture that feeling in some pictures of the tracks.

I found this great thought over on PixSylated.com, a wonderful sight I just discovered and am beginning to explore:

This was part of a series of posts called “Lessons I didn’t learn in photo school.”  Had you asked me a couple of days ago how I viewed myself:  pictorialist or photographer, I probably would have said “amateur hack”.  But if you tried to pin me down, I would have said a pictorialist because I tend to think I look at things from a more artistic point of view as opposed to a documentary point of view.  Or so I thought.  I found myself in the unique position of arguing with myself the other night about post work from this picture I took during the Scott Kelby Photo Walk.

It’s quite obvious I used Lightroom to bring out the yellow roses and subdue the background.  No biggee.  But what I found myself debating over was some of the spots on the wall in the background.  The artist side of my brain said, “Get rid of the spots.  They’re ugly!”  Then from nowhere, the documentarian in by brain popped out from around a corner and said, “But the spots WERE THERE.  You should leave them.  That was the reality of what you shot.”  This of course caused the artist side of my brain to say “WTF?  Who is this guy, where did he come from and who told him he could speak?”  At which point the art side of my brain donned a beret, turned his nose in the air and looked the other way, thinking that “If I don’t see him he really isn’t there.”

At any rate, the art side won in the end and I removed the spots in the final picture.  But I had no idea that that little realist part of my brain (I’ve named him Hector, for now.) even really existed.  In the end, I think I am, in fact, more of a pictorialist, but I guess the fact that there even is a Hector in my head, at least means that I am progressing enough as an artist to question why I am doing something.

I snapped this one for Project 365.  It’s Cooper in split tone crashed out on the couch.

We had what looked like an approaching storm last night so I grabbed the camera for some Project 365 action.  As it turns out, we didn’t get a drop of rain.  It was pointed out to me that maybe the storms are shy and they run and hide when I try to photograph them.  Guess I’ll have to remember that next time.  For now, here are pictures of a scared storm, with special guest star, the power pole.

 

This twitter post popped up in my feed this morning:

Since I haven’t stopped following anyone in quite awhile, I was quite irritated.  I really don’t have a problem if someone knows I unfollowed them, but I don’t like people thinking I somehow dissed them when I didn’t.  I have double checked and not only did I NOT unfollow anyone, I am STILL following @sarajohn64.

I’m just sayin’, I wouldn’t trust @followmonitor.  We now return you to your regularly scheduled social media programming.  That is all.

It was a busy day on Saturday and it all started with the second annual Scott Kelby International Photowalk. The San Antonio crew met in the King William district with our fearless leader Robert Kenney and set out. Here are a few of the shots I got.

Next, I’ll talk a bit about Tweetcamp and the famous after party at Alan Weinkrantz’s

Just a few more photos from  Project 365.  The first is my dad.  Well, not really.  It’s a carving of my dad.  Well, not really.  It’s a carving that my dad had found that looked remarkably like him. My dad was an Episcopal priest and when he found this little carving, he couldn’t resist. I mean, who could resist a carving that looks just like you?

Next is my favorite candle. It has the Heart Sutra etched in Japanese around it. I’ve never lit it.

And last, we finally got a speck of rain, not really enough to matter, but enough to get my hopes up. I happened to catch the front rolling in.

Dharma the llama has her own way of dealing with the heat we’ve been having around here.  (15 days of temperatures over 100 degrees.  She has her own little tub that she likes to lounge in.  You can find her in her little jacuzzi every day of the week.

I’ve been wanting to take a picture of her in there for about a month now, but every time she see’s me coming, she hops up to see if I have any food.

But she did let me get pretty close for a picture (she’s not fond of the camera). Here she is looking the lens right in the eye.